A cursed song?- Insha Ji Utho Ab Kooch Karo

Ibne Insha was a nifty character. Poet, diplomat, author and a Marxist. However, he was mostly known for his poems that he regularly published in compilations and literary magazines.

There is one poem that he penned in the early 1970s that greatly heightened reputation. It was called Insha ji Utho (Get up, Insha).

The poem is about a melancholic man, who, after spending the night at a gathering (most probably at a brothel), suddenly decides to get up and leave — not just the place, but the city itself.


Is it the power of poetry that makes the song of death or is it just a coincidence?


He walks back to his house and reaches it in the wee hours of the morning. He wonders what excuse he will give to his beloved. He’s a misunderstood man looking for meaning in (what he believes) is a meaningless existence.

Ibne Insha

(Ibne Insha)

The poem soon caught the interest of famous Eastern classical and ghazal singer, Amanat Ali Khan.

Amanat was looking for words that would depict the pathos of urban life (in Karachi and Lahore).

Someone handed him Ibne Insha’s Insha ji Utho and Amanat immediately expressed his desire to sing it.

He met Ibne Insha and demonstrated how he planned to sing the ghazal. Insha was impressed by the way Amanat actually transfigured himself into becoming just like the forlorn protagonist of the poem.

http://www.dawn.com/news/1216462/the-cursed-song

posted by f sheikh

Story Behind Legendary Song-Mujse Pehlisi Muhabbat

The story goes that poet Faiz Ahmed Faiz had just been released from prison after serving a term for his influential views on communism in Pakistan. Noor Jehan, or Madamji, as she was addressed, stood outside, waiting for the poet to appear.

The party of friends and family that had gathered to celebrate moved to his house to rejoice. Faiz, who had spent his time in jail listening to her songs on the radio, requested her to sing.

One of the songs she sang was based on his nazm, Mujh Se Pehli Si Mohabbat Mere Mehboob Na Maang. She composed a tune for it on the spot without the use of any musical instrument. The musical quality of her rendition mesmerised everyone. Faiz would later credit her as the co-author of his poem because he believed no one could sing it with such perfection. Not even him!

Later, when the song was composed and filmed for Qaidi (1962) it further cemented her ownership of it. It was an instant hit. She could sing both high and low but her voice never once faltered.

 

http://images.dawn.com/news/1174067/did-noor-jehan-take-away-mujh-se-pehli-si-muhabbat-from-faiz-ahmad-faiz

Qawwali on Lord Krishna by artists from Pakistan performing in India

Qawwali on Lord Krishna by artists from Pakistan performing in India

 

                                     Great Listening 9 minutes. Music…Do Listen

 

How lovely to hear a song to Krishna in the Qawwali form by artists from Pakistan performing in India! It seems doubly poignant when they sing, ‘O Krishna, do you remember us at all?’ seeming to say that we are also yours, and you are also ours. Boundaries of nation, or categories of religion, seem artificial and

 

Please hear an unusual Qawwali  on Lord Krishna, sung by Farid Ayaz Abu Mohammed, Pakistani singers! 

https://www.youtube.com/watch?feature=player_detailpage&v=GHAMyHerv90